Tuesday, December 27, 2011

Speaker Cable AWG Explained

!±8± Speaker Cable AWG Explained

AWG stands for American Wire Gauge, a standardised system of measuring the cross-sectional area of a wire. This is used to determine how much current a wire can handle. AWG causes much confusion for consumers, as the standard can be a little difficult to understand. Is 12 AWG better than 14 AWG or vice versa? How come one cable looks thicker than another even though they have identical AWG? Is AWG a good indicator of quality? Does AWG matter, and if so, how?

These are all good questions, and we'll get to them shortly. Firstly, let's briefly touch on how AWG is actually calculated.

How is AWG calculated?

If a cable was a solid circular wire, then AWG is fairly straightforward to calculate. Take the area (pi x radius squared) to get the cross-sectional area, and look up the AWG chart (example below) to work out AWG. If a cable has multiple strands, a similar operation is done to work out the cross-sectional area of each strand, which is then simply multiplied by the number of strands to get the total AWG. However be careful when comparing this figure as AWG is not linear. For every extra 3 AWG, it is half the cross-sectional area. So 9 AWG is about half of 6 AWG, which is half again of 3 AWG. Hence 3 AWG is quadruple the thickness of 9 AWG.

How does AWG affect electrical properties?

You would've noticed by now that the smaller the AWG, the bigger the cable. Larger cables will have less DC resistance, which translates to less power loss. For applications to home theatre, this is certainly true up to an extent. A rule of thumb is that for smaller speakers, a cable of around 17 AWG is sufficient, whereas for larger speakers anything up to 12 AWG or more will give you good results.

How come some cables of the same AWG look different in thickness?

Two factors dominate here. Firstly, the AWG only takes into account the internal conductors. Therefore, a cable manufacturer could easily increase the thickness of the plastic jacket to make the cable appear thicker. This isn't necessarily a bad thing, as up to a point increased jacket thickness reduces other unwanted properties. Just make sure that you don't compare them by sight.

The other factor why two same AWG cables may look different in thickness is the way the internal strands are designed. Some cables have thinner strands, while others have thicker strands. Depending on the size and placement of these strands, cables can be made to look thinner or thicker than they are.

Is AWG a good indicator of quality?

In a nutshell, no. A large AWG (small cable) may certainly be too small for a particular application (for example, you shouldn't be using a 24 AWG cable to run your front speakers). However, AWG is a measure of quantity, not quality. You should ensure that all of your speaker cables are of at least OFC purity.

Does AWG matter? How so?

AWG certainly matters. You need to ensure that the cable you are using is sufficient to handle the power you're going to put through them. Additionally, if you are doing a longer run, then even more thickness would be required. However, some people get caught up too much in AWG and forget the fact that once a sufficient thickness is reached, other factors come into play. This then becomes more a matter for "audiophile" features to resolve, such as using higher quality materials such as silver conductors or improved design.

Conclusion

Wire gauge is certainly a good fundamental indicator of how sufficient a cable is for your application. However, it is by no means a judgement on quality, or a specification to look at exclusively. As a general rule of thumb, after about 11-12 AWG, thickness becomes much less of a factor, whereas for most hi-fi applications 18-19 AWG would be the minimum cables to use.


Speaker Cable AWG Explained

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Sunday, December 25, 2011

How to Set Up a Pa

!±8± How to Set Up a Pa

Before I account for how to setup a P.A. Let me first say that before you buy a P.A. Make sure that it is the one you want and when you do buy it make sure that it comes with all the manuals, instructions and warranty. an additional one thing to note is that if you are buying a second hand P.A. Check it out and make sure it works fine, if you are not the person that can actually tell if a P.A. Is working fine take person with you that does. You don't want a P.A. That is dodgy and does not work. Anyway lets get started!
The first thing you want to do is setup your speakers. Place the speakers as far apart a possible within think at a minimum length of 4 meters and at a height of about 5 to 6 feet to the audience. Place the mixer and power amp/power mixer somewhere where it can be reachable by one of the performers. You want to have this close to person since you may need to turn the levels at times during performances. Next join together the speakers to the power amp/power mixer with the speaker cable. If your speaker cables are jacks or cannons they will plug level into the speaker and the power amp/power mixer. However if the connectors are speakon connectors than you with have to plug the cable in and than twist it to lock it in. Next you will want to plug in all your input devices, for most population learning how to setup a P.A. You will just be plugging in microphones and Cd players or audio devices. So join together the microphones with microphone cannon leads and join together Cd and audio devices with phono leads (maybe phono to phono or phono to jack). If you are connecting instruments, sequencers or follow units use jack leads. If you are using a power mixer you will not have to do this step. Next join together your mixer to the power amp. The outputs from the mixer will usually be on the back or on the top on the right. Take two jack leads and join together the left out on the mixer to the left input on the power amp and the right production the right input. Connect the power cords to a power outlet. Note: Do Not Switch On Yet. Before switching on check that all volume knobs and sliders are down on the mixer and the power amp/power mixer and that all power switches on the equipment if off too. Switch the power on at the wall than switch your gear on. If you are running a power amp and mixer switch the mixer on first and than the power amp, when you switch it off do the opposite - power amp off and than mixer off. Now You Are Ready To Go When it comes to switching off switch off the gear first and than switch off at the wall. Make sure that you do not remove, turn or unplug any leads or cables while the gear and the wall power is switched on.
Anyway there is a quick and straightforward guide that can get you up and running with a straightforward P.A. If you are using a large or complex P.A. Than further things will be required and you should seek professional help from a music store on how to setup and use your P.A.


How to Set Up a Pa

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